Louis Jourdan

Louis Jourdan (born Louis Robert Gendre; 19 June 1921 – 14 February 2015) was a French film and television actor. He was known for his suave roles in several Hollywood films, including Alfred Hitchcock's ''The Paradine Case'' (1947), '' Letter from an Unknown Woman'' (1948), '' Gigi'' (1958), '' The Best of Everything'' (1959), '' The V.I.P.s'' (1963) and ''Octopussy'' (1983). He played Dracula in the 1977 BBC television production ''Count Dracula''.

Early life

Jourdan was born Louis Robert Gendre in Marseille, France, in 1921, one of three sons of Yvonne (née Jourdan) and Henry Gendre, a hotel owner.Louis Jourdan profile
FilmReference.com; accessed June 5, 2014. He was educated in France, Turkey, and the UK, and studied acting at the École Dramatique. While there, he began acting on the professional stage, where he was brought to the attention of director Marc Allégret, who hired him to work as an assistant camera operator on ''Entrée des Artistes'' (''The Curtain Rises'').Louis Jourdan – 20s and 30s
Louisjourdan.net, accessed January 26, 2014.

Allegret then cast Jourdan in what should have been his first movie, '' Le Corsaire'' in 1939 opposite Charles Boyer. Filming was interrupted by the Second World War and was never resumed.

World War II

Jourdan was too young for army service and was hired by Marcel L'Herbier to appear in '' La Comédie du bonheur'' (1940) in Rome. He was making ''Untel Père et Fils'' in that city when Italy declared war on France.
He returned to France, and appeared in ''Premier rendez-vous'' (1941) with Danielle Darrieux, shot in Paris. He spent a year on a work gang. Jourdan was ordered to make German propaganda films, which he refused to do, and fled to join his family in unoccupied France.

There he started making movies again, ten films in two years. They included several for Allegret: ''Parade en sept nuits'' (1941); '' L'Arlésienne'' (1942) with Raimu, '' The Beautiful Adventure'' (1942); ''Les Petites du quai aux fleurs'' (1944); ''Twilight'' (1944). He was in ''The Heart of a Nation'' (1943) with Raimu; ''La Vie de Bohème'' (1945).

His father was arrested by the Gestapo; months later he escaped, and joined the French Resistance, along with his family. "I was given work to do and I did it", said Jourdan later of his time in the resistance. "I worked on illegal leaflets, helping to print and distribute them." After the liberation of France in 1945, he returned to Paris with his childhood sweetheart, Berthe Frédérique (nicknamed "Quique"). They married in 1946.

Hollywood career

David O. Selznick

Cited by author James McKay as the "epitome of the suave Continental", Jourdan was spotted in a French film by a talent scout working for David O. Selznick, who offered the actor a contract in March 1946.

His first American film was ''The Paradine Case'' (1947) starring Gregory Peck. The movie is a drama directed by Alfred Hitchcock, who did not want Jourdan cast as the valet in the film. He appeared in a theatre production of ''Ghosts'' in Los Angeles.

Jourdan frequently argued with Selznick, who put him on suspension a number of times for refusing roles.

Selznick announced Jourdan and Alida Valli for ''Rupert of Hentzau'' but the film was not made. Neither was ''Trilby'' which Selznick said Jourdan would appear in with Valli and Rossano Brazzi or ''If This Be My Heart'' with Valli and Robert Mitchum.

With Joan Fontaine, Jourdan starred in the Max Ophüls film '' Letter from an Unknown Woman'' (1948). David Thomson in 2010 observed how his performance as Stefan Brand altered as the character aged over the extended period of the film's narrative: "I notice how his way of talking has changed. The younger Stefan was boyish, eager and open. Ten years later, the man is filled with self-loathing and fake ironies." It was a "signature performance" from Jourdan, Thomson wrote in ''Have You Seen?'', he was "handsome yet a touch empty; romantic yet not entirely there." John Houseman, the film's producer, "felt he lacked sex appeal, but that shortcoming serves very well as his defect of memory," a significant element of the film's plot. In Hollywood, Jourdan became friends with several stars who shared his love of the game of croquet.

Enterprise borrowed him for ''No Minor Vices'' (1948), a box office flop. It was released by MGM, who borrowed Jourdan to appear in ''Madame Bovary'' (1949).

Selznick announced him for ''The Frenchman and the Bobbysoxer'' a sequel to ''The Bachelor and the Bobby-Soxer'' but it was not made. Selznick sold his interest in Jourdan for one film to Warner Bros.

All Jourdan's Hollywood films had lost money. He decided to buy out his contract with Selznick for $50,000.

Post-Selznick

At 20th Century Fox, Jourdan played the lead in a remake of '' Bird of Paradise'' (1951). The studio kept him on to appear in ''Anne of the Indies'' (1951), directed by Jacques Tourneur. He was announced for the romantic male lead in the Fox remake of '' Les Miserables'' but ended up not appearing in the film.

He was in a comedy, ''The Happy Time'' (1952). He was reunited with Joan Fontaine for ''Decameron Nights'' (1953) then returned home to France to make '' Rue de l'Estrapade'' (1953).

After appearing in '' Three Coins in the Fountain'' (1954), Jourdan made his Broadway début in the lead role in the Billy Rose stage adaptation of André Gide's novel, ''The Immoralist''.

He returned to Broadway for a short run in 1955, and also that year he made his American TV début as Inspector Beaumont in the TV series '' Paris Precinct''. In 1956, he appeared in the film ''The Swan'' playing the role of "Dr Nicholas Agi" along with Grace Kelly and Sir Alec Guinness for MGM. This was Kelly's last film, and lost money at the box office. More popular was ''Julie'' (1956) a thriller where Jourdan tormented Doris Day.

He returned to France to play the male lead in ''The Bride Is Much Too Beautiful'' (1956) with Brigitte Bardot as the lead actress, and '' Escapade'' (1957). In Britain he appeared in a swashbuckler, ''Dangerous Exile'' (1957).

Jourdan appeared in his biggest hit playing the romantic lead alongside Leslie Caron and Maurice Chevalier in the film version of the novella by Colette, '' Gigi'' (1958). This film won nine Academy Awards, including Best Picture. He enjoyed another hit with '' The Best of Everything'' (1959), an all star romance in the vein of ''Three Coins in the Fountain''. He also appeared in a variety show on TV, ''An Evening with Louis Jourdan''.

Jourdan was going to follow it in a remake of '' Dr Jekyll and Mr Hyde'' in England for Terence Fisher. "It's a terrific change of pace for me," he said. However he did not appear in the final film, ''The Two Faces of Dr. Jekyll''.

Jourdan co-starred with Frank Sinatra, Chevalier and Shirley MacLaine in the musical '' Can-Can'' (1960). He travelled to Italy to appear in a peplum film, ''Amazons of Rome'' (1961). Then it was back to France to star in a version of ''The Count of Monte Cristo'' (1961), a massive hit in France. ''Disorder'' (1962) was an Italian-French comedy, ''Mathias Sandorf'' (1963) was based on a novel by Jules Verne.

For MGM, he made '' The V.I.P.s'' (1963), another all star melodrama, and a big hit.

Jourdan also sang in the Alan Jay Lerner/Barton Lane stage musical, ''On a Clear Day You Can See Forever'' (1965), at least during its out-of-town tryout at the Colonial Theatre in Boston. He was replaced as leading man by John Cullum before the show reached Broadway.

He supported Ann-Margret in ''Made in Paris'' (1966) for MGM, then returned to Europe: '' The Sultans'' (1967), ''To Commit a Murder'' (1967). '' To Die in Paris'' (1968) was a US TV movie and ''A Flea in Her Ear'' (1968) a Hollywood financed farce.

There were more TV movies: '' Fear No Evil'' (1969), ''Run a Crooked Mile'' (1970), ''Ritual of Evil'' (1970), '' The Great American Beauty Contest'' (1973). In later years, Jourdan also appeared on television, including 1977's ''Count Dracula'' for the BBC
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